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Article: Jane Austen News - April 2017

Jane Austen News - Issue 65 -
aa milne

Jane Austen News - April 2017

What's the Jane Austen News this week?  

 A Fifth Jane Austen Note Is Coming To The Centre!  

Since his incognito visit to the Jane Austen Centre in March, speculation has been high that micro-engraver Graham Short spent a fifth Jane Austen five pound note (despite the original news that only four had been made and spent last year). Rumours that a fifth note had been spent and was now 'on the loose' were fuelled further by the confirmation from Graham's team that a fifth note had indeed been made.

As Mr Short was not recognised until the end of his visit to the Centre and Regency tearooms, it had been thought that he had spent the five pound note and the Centre had unknowingly given it to a customer in change. However, it has now been revealed that the fifth five pound note is not somewhere in general circulation, but is in fact going to be gifted to the Centre by Mr Short!!

Mr Short told BBC Radio Bristol he would presenting the note to the Jane Austen Centre as a framed gift to mark the 200th anniversary of the author's death. He will be returning to Bath on the 18th of July with the note, which he has said "will be framed with glass on the back and the front so you can see through it." The note, like the other four, has a small portrait of Jane on it, along with a quote from one of her famous novels. The one to be presented to the Centre is from Persuasion and reads: 'You pierce my soul, I am half agony, half hope.' At the Jane Austen News we're delighted and honoured, and greatly looking forward to welcoming Graham back to Bath this July! Plus, in addition to this visit, Mr Short will be back in Bath this September in order to talk about his work at the annual International Jane Austen Festival in Bath (8th - 17th September).


A.A. Milne's Darcy - More Eeyore Than Phwoar?
In a new book about Austen's influence on cinema, details have been given of how Pride and Prejudice came within a whisker of being adapted for the screen by A.A. Milne. Milne hoped his script would become the text for the first film production of the classic novel. However, it was pipped to the post by an American production that Milne did not find out about until the day he finished his own script. Paula Byrne, the author of the new book called The Genius of Jane Austen, said that Milne’s adaptation, while not so heavily centred on the love story between Darcy and Elizabeth, had a “better understanding of Austen as social satirist, verbal ironist and daughter of the muse of comedy as opposed to sentiment”. The 1940s production (starring Greer Garson and Laurence Olivier) which was made instead of Milne's vision, was much more focused on the heartthrob than on the harsh truths of the era. Byrne said that Milne had made his story “not quite so romantic”. In fact, in the final scene of his play Milne had opted for a “touching one between father and daughter, not a romantic union between Elizabeth and Darcy”. Just imagine how different things might have been for Mr Darcy today had he first been more of a sombre Eeyore than a smouldering Olivier!

Austen Events at London Literature Week
Several Austen themed events are taking place as part of the British Academy Literature Week 2017, and we thought you might like to know about them should you be in London between the 15th and 20th of May this year when the events will be held.
From Monday 15th - Friday 19th between 9 and 6 daily, a free exhibition called Pride, Prejudice & Perceptions, which is an interactive sensory exploration of Jane Austen’s Pride and Prejudice using type, sound, sight and scent to serve one story three ways, will be on at the Academy.
On Tuesday a lunchtime lecture will have acclaimed author Jo Baker talking about her book Longbourn - her re-telling of Pride and Prejudice from the servants’ perspective. In this talk, she will discuss why she chose to re-invent a beloved classic and how she went about creating a compelling new tale without alienating Austen fans.
Then, on the Tuesday evening, renowned Austen scholar Kathryn Sutherland will join the BBC’s Henrietta Foster and Robert Seatter to discuss highlights from the BBC's Austen archive, including the 1995 TV serialisation of Pride and Prejudice – arguably the most iconic Austen adaptation of all time.

 Persuasion the Musical
A new musical adaptation of Persuasion (script by Harold Taw; music and lyrics by Chris Jeffries) will have its world premiere  at Taproot Theatre Company, July 12 to August 19, 2017, in Seattle, WA.
Persuasion is a 2015 product of The 5th Avenue Theatre’s inaugural 'NextFest: A Festival of New Musicals'. It has since been workshopped at the Texas Musical Theatre Workshop in 2016. It's set to be a great production, as the cast and production team have an incredible range of credits. To name only one, director Karen Lund’s directing credits include Godspell, Jane Eyre, A Charlie Brown Christmas and Illyria.
For those who might like to attend, and who would also like to learn more about the play and the process behind it, post-play discussions will be held after every Wednesday performance (excluding preview) and after the midweek matinee performance on July 18th.

 Mr Darcy is an Ass?
Around eighty people joined Mr Darcy in the traditional Palm Sunday procession through the streets of Petworth in West Sussex this year: Mr Darcy being, of course (and rather appropriately, given our earlier piece about A.A. Milne's Mr Darcy), a donkey. Apparently the procession being led by Mr Darcy has become part of the Petworth tradition as he has done it for many years. Mr Darcy turns twenty years old this year. At the Jane Austen news we wondered: maybe Mr Darcy got his name because of Fitzwilliam's reputation for being a bit of an ass? (Sorry, saw the story and the pun had to be made!)

 Jane Austen News is our weekly compilation of stories about or related to Jane Austen. Here we will feature a variety of items, including craft tutorials, reviews, news stories, articles and photos from around the world.

1 comment

How I wish we could see Milne’s version. I say this as the (almost) lone voice crying in the wilderness that David Rintoul’s Mr. Darcy was much more accurate than Colin Firth’s, and I prefer the 1980 Fay Weldon version.


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