From Mamma-- A Mariner's compass
From Aunt-- A silver Vinagrette
From Augusta-- A gold twisted ring
From Miss Ramsey-- A leather purse
Emma Austen Leigh, 1815
During the Regency, friends would exchange small gifts at Christmas or Twelfth Night. These tended to be useful items or homemade tokens of remembrance. They might be accompanied by a riddle or short poem, like the needle bag Jane gave to a friend in 1792:
This little bag, I hope, will prove To be not vainly made; For should you thread and needles want, It will afford you aid. And, as we are about to part, 'Twill serve another end: For, when you look upon this bag, You'll recollect your friend.
Chatelaine, 1765-1775 Victoria and Albert Museum no. C.492:1 to 7-1914, Wikimedia Commons
Jane's neice, Emma Austen Leigh, kept a diary list of all the gifts she was given over a period of years. It included jewelry, purses, knitting boxes and workbags along with a selection of fashionable accessories and mending tools. The chatelaine is a device which clips to the waist band or belt of a dress for holding such items as the mistress of the house would need with her throughout the day. It might include her seal, watch, scissors, thimble, a vinaigrette, and a key holder.Chatelaines were worn by men and women and might be made of silver or steel. They could be as plain or as decorated as the owner wished.
The term originally meant the mistress of a large estate or Castle and literally means "the keeper of the keys." A vinaigrette is a little tightly sealing box with a second pierced lid inside to contain a bit of gauze soaked in vinegar, lavender water, or other scent. Sniffing the contents were meant to revive someone feeling faint or give relief from unpleasant odors.
It might be kept inside a reticule
or be equipped with a loop and hung about the wearer's wrist or from a chatelaine. Vinaigrettes were made by silversmiths specializing in boxes so they usually also made snuffboxes. There were smiths in London who did this type of work, but most boxes were made in Birmingham.
Reprinted with persmission Sharon Wagoner, Curator of The Georgian Index
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