"Go, by all means, my dear; only put on a white gown; Miss Tilney always wears white."
We have come to associate the Regency period with fine white, high-waisted muslin dresses that were beautifully detailed and embroidered. Until quite recently in human history, a lady did not roam far from her sewing basket. She would mend, sew, and embroider whenever she had spare time. (Even the finest lady in the land could be found plying her needles.) During the day she would sit near a well lit window or even outdoors, and during the long evening hours she would sit by the fireside in a room with other family members, sharing the light from expensive candles (sometimes a single one). For entertainment, one of the men would read aloud from a book, or other family members would play musical instruments. Jane Austen was well known for her sewing skills and examples of her needlework are shown in the Jane Austen Museum in Chawton.
"White work is a broad term, one that may be said to encompass any white-on-white needlework, that is, needlework that uses a white yarn or thread on a white ground to create a pattern. Various techniques are employed to make these patterns stand out in high relief against their monochrome background, with the result that many white work pieces have an intensely sculptural quality
All over the country, women carried their needlework with them on visits, and traded patterns among friends.
These techniques include embroidery, drawn work, pulled-fabric work, stump work, stuffed work, cording, quilting, candlewicking, and, later, weaving, both by draw loom and machine. –
From Lap to Loom: The transition of Marseilles white work from hand to machine"
Whitework embroidery was frequently used on muslin dresses, fine lawn caps, handerkerchiefs, tablecloths, and bed linens. Patterns were featured in Ladies Periodicals, showing many different motifs, some fancier than others.
"The finest whitework was done on cambric and fine muslin, or netting. This was called French embroidery, or French Hand Sewing. The most delicate threads and techniques were utilized to make gorgeous, lacy handkerchiefs, veils, bonnets, cuffs, collars and baby clothes, as well as gifts to very special friends…
Christening gowns and robes of the time were very heavily embroidered and were most treasured by their owners. Lots of different patterns and stitches were used, with lots of feather stitching all over, leading to flowers made of satin stitch, eyelets, and buttonhole stitches so tiny as to be difficult to see, and almost all with matching bonnets and slips or petticoats. French knots decorated edges.
Wedding gowns, too, were embroidered with these techniques, and some of the grooms’ clothes, too, were embroidered to match!" -
18th Century Embroidery Designs
19th Century Embroidery Techniques
18th Century Embroidery Designs
Whitework techniques and 188 designs
Vic Sanborn oversees two blogs: Jane Austen's World
and Jane Austen Today
. Before 2006 she merely adored Jane Austen and read Pride and Prejudice faithfully every year. These days, she is immersed in reading and writing about the author's life and the Regency era. Co-founder of her local (and very small) book group, Janeites on the James, she began her blogs as a way to share her research on the Regency era for her novel, which sits unpublished on a dusty shelf. In her working life, Vic provides resources and professional development for teachers and administrators of Virginia's adult education and literacy programs.
This article was written for Jane Austen's World
and is used here with permission.
Enjoyed this article? Visit our giftshop and escape to the world of Jane Austen
for costume, patterns and more.