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Article: Que disent les gens à propos de Raison et Sentiments (2026) ?

Que disent les gens à propos de Raison et Sentiments (2026) ?

Raison et Sentiments (2026) - IMDb
Il est enfin là ! Nous attendions la nouvelle adaptation cinématographique de Raison et Sentiments depuis son annonce, avec un mélange d'excitation et d'appréhension. Une nouvelle adaptation de Jane Austen est toujours une entreprise risquée : sera-t-elle encensée, comme Emma (2020) d'Autumn De Wilde, ou totalement éreintée, comme Persuasion (2022) de Netflix ? Le débat pour savoir si Orgueil et Préjugés de la BBC (1995) ou de 2005 est l'adaptation suprême de ce roman dure depuis plus de deux décennies. Cela faisait cependant un moment que nous n'avions pas eu droit à un nouveau Raison et Sentiments. L'adaptation d'Ang Lee en 1996, avec Kate Winslet et Emma Thompson, était si réussie que, pendant des décennies, elle a eu peu de rivales sérieuses. Jusqu'à maintenant, du moins.
Le nouveau Raison et Sentiments de la réalisatrice Georgia Oakley est enfin arrivé sur les écrans,* alors découvrons ce que le public dit de ce nouveau film.

Les détails

Raison et Sentiments (2026) est le deuxième long-métrage de la réalisatrice Georgia Oakley. Il met en vedette Daisy Edgar-Jones (Normal People et Twisters) et Esme Creed-Miles (The Doll Factory et Hanna) dans les rôles d'Elinor et Marianne Dashwood. Elles sont entourées d'une impressionnante distribution secondaire, incluant George Mackay, Fiona Shaw, Caitríona Balfe et Frank Dillane.

Tourné en pellicule, Raison et Sentiments dégage une atmosphère chaleureuse et intime, et ses décors prennent vie grâce à un usage généreux de lieux de tournage réels plutôt que de studios. De nombreux sites parmi les plus pittoresques d'Angleterre figurent dans le film, et vous pouvez en apprendre davantage à leur sujet grâce au Vogue britannique.

L'histoire (sans spoilers.)

Raison et Sentiments suit les sœurs Dashwood, Elinor et Marianne, alors que leur mère, leur sœur cadette et elles-mêmes sont contraintes de réduire leur train de vie après le décès de leur père. Lorsque leur demi-frère aîné refuse de tenir sa promesse de subvenir à leurs besoins, les Dashwood déménagent à Barton Cottage, sur les terres de leur cousin, Sir John Middleton. Le colonel Brandon, ami de la famille, s'attache rapidement à Marianne, bien qu'elle juge leur écart d'âge trop important (certes, nous non plus n'approuverions pas une relation entre une jeune fille de seize ans et un homme de trente-cinq ans, mais c'était une autre époque). Elle est rapidement séduite par le charmant John Willoughby, mais est-il vraiment l'homme qu'il prétend être ? Pendant ce temps, Elinor, plus raisonnable, essaie de comprendre Edward Ferrars : est-il vraiment attiré par elle, ou est-il vrai que la mère d'Edward nourrit des ambitions plus grandes pour lui ?

Qu'en dit le public ?

Eh bien, jusqu'ici tout va bien. La plupart des critiques tendent vers un avis positif. À l'heure où nous écrivons ces lignes, Raison et Sentiments affiche un score de 76 % sur Rotten Tomatoes et une note de 7,3/10 sur IMDb ; ce n'est pas dithyrambique, mais ce n'est certainement pas négatif.

La critique 3 étoiles du Guardian se situe au juste milieu, avec quelques éloges pour l'adaptation, tout en critiquant certains choix de casting. En le comparant à l'adaptation d'Ang Lee, Peter Bradshaw décrit cette nouvelle version comme « une mouture plus mélancolique et méditative » que sa prédécesseure. Laura Venning, d'Empire Magazine, a également accordé 3 étoiles au film, affirmant que bien que les visuels soient « ravissants », la relation centrale entre les sœurs Dashwood est « sous-exploitée » par le choix de se concentrer sur les relations amoureuses. Hadley Freeman, dans le Times, est beaucoup plus cinglante, qualifiant le nouveau film de « tout simplement ennuyeux ».

Tout n'est cependant pas en demi-teinte, Robbie Collin au Telegraph lui attribuant 5 étoiles. Il fait l'éloge de « ce successeur sauvage et poignant [à celui d'Ang Lee], intelligemment adapté et exquisément réalisé par Georgia Oakley, la réalisatrice de Blue Jean. » Beatrice Loayza de Variety a des mots particulièrement élogieux pour l'interprétation de Marianne par Esme Creed-Miles, et pour Frank Dillane, qui apporte « une légèreté et un humour spontanés » à son interprétation du scélérat Willoughby.

Il semble que le jury soit encore partagé sur ce nouveau Raison et Sentiments. Qu'en pensez-vous ? L'avez-vous déjà vu ? Faites-nous part de vos critiques dans les commentaires.

Ellen White est rédactrice du blog Jane Austen. Si vous souhaitez contribuer au blog, elle serait ravie d'avoir de vos nouvelles. Suivez ce lien pour plus de détails.


*au Royaume-Uni.

20 commentaires

I was hopeful it was going to premiere. In fortunately it was set in a dark area of time. Definitely a period piece. There is no comparison to the other senses and sensibilities. The older was more inspired. I would not recommend the 2026 one.

Debbi

Thumbs down! Whiny weepy women with wind blown weird hair. I am a Georgian era history buff, and this really misses the mark in so many ways. Even the weather was wrong: Devon is known for mild sunny days. The clothes were period close but definitely not spot on. And what’s with the close ups of the girl with the pitiful freckles.

Robert Hadley

Saw the movie this weekend. Was sadly disappointed. It just didn’t have that lovely dynamic that pulled me in with Kate Winslet and Emma Thompson. It didn’t measure up in any way. I didn’t feel the love of either couple, nor the pettiness of the sister-in-law. The dialogue was skimpy and the actor’s ability to push emotion into it came up horribly short. The brother and the aunt (or family friend??) I was never sure, did play true and were the only performances I enjoyed. Even the dancing seemed absurd to me. No way, when men and women were not allowed to be alone or touch in any significant way, did they perform dances that we highly suggestive of sex on the dance floor. It just didn’t happen. I almost fell asleep during this lackluster performance of a lovely story.

Rachel Stahr

Enjoyed this movie very much. I felt like you really got to know the individual characters . Was a bit difficult to understand at times due to the accents but thoroughly love this era of time. Beautiful costumes and music, great acting. I wanted the story to continue, didn’t want it to end. 4 stars…….

Linda Burgess

I loved it. The scenery was spectacular. The ballroom and dancing scenes were majestic and romantic. Of course some freedom was taken from the books, but I liked it better than the Emma Thompson version. Only the BBC versions are true to the books.

Dianne Capone

Great scenery and acting but slow and nothing riveting in it at all. It was entertaining however!

Dona

I was very disappointed. It would have been nice to get a new version of this story, but I don’t usually like it when the people making the movie are so outrageous with their changes (with the exception of the 1999 Mansfield Park).
I haven’t read this book in a long time but this adaptation doesn’t seem to care about authenticity. Jane Austin didn’t typically portray her characters as being filthy slobs, but that is exactly how Marianne was portrayed in almost every scene she was in. She’s supposed to be beautiful, but unguarded. I don’t know why that would make her a filthy slob. You can’t even blame how the daughters were portrayed in the movie on their low circumstances because they were generally portrayed as being dirty and unrefined in this movie even before they lost their home.
In addition, why is there a married lesbian couple in this? I know that is not in the book and certainly everyone around them would notice. It doesn’t make sense in that time so it’s weird and distracting, not just because it’s there but because no one reacts to seeing a woman pretending to be a man and the two of them are married.

Beverly

Definite thumbs down. Dark, overacted, characters made into silly caricatures of the novel, photography and costumes well done but the rest is a mess.

Jae

I think the three sisters are all miscast. They certainly do not compare to Emma Thompson or Kate Winslet and all look so ungroomed and what’s up with the screaming? Other cast members were pretty good. Loved the location; the scenery is beautiful.

Helene Vance

Very hard to follow and plot was extremely hidden. I can not say it was enjoyable!

Claudette Boyer

Photography and nature beautiful, Dashwood estate appears down @heel, not National Trust perfect, which may explain but not excuse John Dashwood’s meanness. All good.
But Marianne’s constantly tangled, loose hair, roaming about @random, screaaming, doesn’t ring true. Austen from similar milieu, her father had been disinherited, made constant efforts to provide for his family and appear appropriately on social occasions. Barton Cottage was reinterpretated as a hovel. Movie more like Wuthering Heights than Austen.

Eva O Cathaoir

Photography and nature beautiful, Dashwood estate appears down @heel, not National Trust perfect, which may explain but not excuse John Dashwood’s meanness. All good.
But Marianne’s constantly tangled, loose hair, roaming about @random, screaaming, doesn’t ring true. Austen from similar milieu, her father had been disinherited, made constant efforts to provide for his family and appear appropriately on social occasions. Barton Cottage was reinterpretated as a hovel. Movie more like Wuthering Heights than Austen.

Eva O Cathaoir

This Sense &Sensibility is beautifully filmed. The main actors are good. However I didn’t like that a lot of Austen’s script and scenes are not used, and the origin of the Lucy Steele-Edward Ferrers engagement is wrong. Most of the dancing is wrong. The hair is all wrong. While I was glad I saw it, it doesn’t hold a candle to the 1995 or 2008 versions.

Barbara Garvey

Probably not see the new version. I would unfairly compare to the Emma Thompson version that made me truly connect with the characters and be immersed in their lives.

Alicia Salgado

Was definatly worth the price of ticket. Loved the real sceanery, Animals superb, actors very good well done, Jane would have been proud i think. However , I fear she would have been deeply distubed by the attention to detail on the coiffure. The wild unkept hair of Marieanne, was in no way in keeping with the book and the period .she was not a peasant who did not own a hair brush, her passionate nature was in no way inhibited but good grooming.

Wendy Thomson

Saw it this evening. Not overly familiar with the story but thought the performances generally good especially the two sister leads. Fiona Shaw was amusing as the aunt and lightened the story somewhat. The male leads were both very shy and awkward but convincingly so given the mores of the time, gentlemen’s honour though the most attractive male lead was the rogue Willoughby. I need to read the story to know how faithfully the directors kept to the story. Generally I enjoyed the film as Jane Austen films generally present as authentic in terms of attention to period detail.

Stephen Hopkins

I really loved Sense & Sensibility, the music was very atmospheric . The cinematography was beautiful and I felt like I was there . The actual adaptation was perfect and I loved the ballroom scenes with the lively joyful dances .

Lorraine Haskins

5 stars!Beautiful cinematography, direction and acting from all involved.Daisy Edgar -Jones is superb, bringing a fiestier Elinor although still managing to keep herself under control until she sees Willoughby. I loved the little changes ( I don’t understand why we compare versions as they are all unique). I did not expect much from it but was moved, excited and totally absorbed from start to finish. I have been an Austen fan since the age of 14 on first reading Pride and Prejudice at school. Great job….thank you.

Teri Rees

If the picture of the sisters outside with their hair blowing about freely is typical of the costuming, I will say thumbs down.

Nancy Mayer

Saw it today. Beautiful photography. Even though various storylines weren’t in the right order and one or two don’t exist in the book, I still enjoyed it as a film in its own right. I loved the Ang Lee version but have to put that feeling to one side.

Karen Appleby

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