Artículo: ¿Qué dice la gente sobre Sense and Sensibility (2026)?
¿Qué dice la gente sobre Sense and Sensibility (2026)?

Los detalles
Sentido y sensibilidad (2026) es el segundo largometraje de la directora Georgia Oakley. Está protagonizado por Daisy Edgar-Jones (Normal People y Twisters) y Esme Creed-Miles (The Doll Factory y Hanna) como Elinor y Marianne Dashwood. A ellas se suma un impresionante reparto secundario que incluye a George Mackay, Fiona Shaw, Caitríona Balfe y Frank Dillane.
Rodada en película, Sentido y sensibilidad tiene un aire cálido e íntimo, y sus escenarios cobran vida mediante un amplio uso de localizaciones reales en lugar de platós. Muchos de los lugares más pintorescos de Inglaterra aparecen en la película, y puedes aprender más sobre ellos en la edición británica de Vogue.
La historia (sin spoilers)
Sentido y sensibilidad sigue a las hermanas Dashwood, Elinor y Marianne, a quienes, junto a su madre y su hermana menor, se les obliga a reducir su nivel y estilo de vida tras la muerte de su padre. Cuando su hermanastro mayor se niega a cumplir su promesa de mantenerlas, las Dashwood se trasladan a Barton Cottage, en tierras de su primo, Sir John Middleton. Un amigo de la familia, el coronel Brandon, desarrolla rápidamente un afectuoso vínculo con Marianne, aunque ella considera que la diferencia de edad es demasiado grande (es cierto, nosotros tampoco aprobaríamos una relación entre una joven de dieciséis años y un hombre de treinta y cinco, pero eran otros tiempos). Ella se deja llevar rápidamente por el encantador John Willoughby, pero ¿es realmente el hombre que dice ser? Mientras tanto, la más sensata Elinor intenta descifrar a Edward Ferrars: ¿está realmente atraído por ella o es cierto que la madre de Edward tiene ambiciones más elevadas para él?
¿Qué dice la gente?
Bueno, hasta ahora, todo bien. La mayoría de las críticas tienden hacia el lado positivo. En el momento de escribir esto, Sentido y sensibilidad tiene una puntuación del 76 % en Rotten Tomatoes y un 7,3/10 en IMDb, así que no es algo estelar, pero ciertamente no es negativo.
La crítica de 3 estrellas de The Guardian se mantiene en un punto medio, con algunos elogios para la adaptación, aunque critica algunas de las decisiones de casting. Al compararla con la adaptación de Ang Lee, Peter Bradshaw describe la nueva versión como "una versión más melancólica y reflexiva" que su predecesora. Laura Venning, de la revista Empire, también le dio 3 estrellas a la película, diciendo que aunque los efectos visuales son "fascinantes", la relación central entre las hermanas Dashwood queda "poco aprovechada" al optar por centrarse en las relaciones románticas. Hadley Freeman, en The Times, es mucho más mordaz y califica la nueva película de "simplemente aburrida".
Sin embargo, no todo es mediocre, ya que Robbie Collin, en The Telegraph, le otorga 5 estrellas. Elogia "esta sucesora salvaje y melancólicamente hermosa [de la de Ang Lee], astutamente adaptada y exquisitamente dirigida por Georgia Oakley, de Blue Jean". Beatrice Loayza, de Variety, dedica elogios especiales a la interpretación de Esme Creed-Miles como Marianne y a Frank Dillane por aportar "una naturalidad y humor espontáneos" a su actuación como el sinvergüenza Willoughby.
Parece que el veredicto sobre esta nueva Sentido y sensibilidad sigue dividido, ¿qué opinas tú? ¿Ya la has visto? Cuéntanos tus impresiones en los comentarios.
*en el Reino Unido.

20 comentarios
I was hopeful it was going to premiere. In fortunately it was set in a dark area of time. Definitely a period piece. There is no comparison to the other senses and sensibilities. The older was more inspired. I would not recommend the 2026 one.
Debbi
Thumbs down! Whiny weepy women with wind blown weird hair. I am a Georgian era history buff, and this really misses the mark in so many ways. Even the weather was wrong: Devon is known for mild sunny days. The clothes were period close but definitely not spot on. And what’s with the close ups of the girl with the pitiful freckles.
Robert Hadley
Saw the movie this weekend. Was sadly disappointed. It just didn’t have that lovely dynamic that pulled me in with Kate Winslet and Emma Thompson. It didn’t measure up in any way. I didn’t feel the love of either couple, nor the pettiness of the sister-in-law. The dialogue was skimpy and the actor’s ability to push emotion into it came up horribly short. The brother and the aunt (or family friend??) I was never sure, did play true and were the only performances I enjoyed. Even the dancing seemed absurd to me. No way, when men and women were not allowed to be alone or touch in any significant way, did they perform dances that we highly suggestive of sex on the dance floor. It just didn’t happen. I almost fell asleep during this lackluster performance of a lovely story.
Rachel Stahr
Enjoyed this movie very much. I felt like you really got to know the individual characters . Was a bit difficult to understand at times due to the accents but thoroughly love this era of time. Beautiful costumes and music, great acting. I wanted the story to continue, didn’t want it to end. 4 stars…….
Linda Burgess
I loved it. The scenery was spectacular. The ballroom and dancing scenes were majestic and romantic. Of course some freedom was taken from the books, but I liked it better than the Emma Thompson version. Only the BBC versions are true to the books.
Dianne Capone
Great scenery and acting but slow and nothing riveting in it at all. It was entertaining however!
Dona
I was very disappointed. It would have been nice to get a new version of this story, but I don’t usually like it when the people making the movie are so outrageous with their changes (with the exception of the 1999 Mansfield Park).
I haven’t read this book in a long time but this adaptation doesn’t seem to care about authenticity. Jane Austin didn’t typically portray her characters as being filthy slobs, but that is exactly how Marianne was portrayed in almost every scene she was in. She’s supposed to be beautiful, but unguarded. I don’t know why that would make her a filthy slob. You can’t even blame how the daughters were portrayed in the movie on their low circumstances because they were generally portrayed as being dirty and unrefined in this movie even before they lost their home.
In addition, why is there a married lesbian couple in this? I know that is not in the book and certainly everyone around them would notice. It doesn’t make sense in that time so it’s weird and distracting, not just because it’s there but because no one reacts to seeing a woman pretending to be a man and the two of them are married.
Beverly
Definite thumbs down. Dark, overacted, characters made into silly caricatures of the novel, photography and costumes well done but the rest is a mess.
Jae
I think the three sisters are all miscast. They certainly do not compare to Emma Thompson or Kate Winslet and all look so ungroomed and what’s up with the screaming? Other cast members were pretty good. Loved the location; the scenery is beautiful.
Helene Vance
Very hard to follow and plot was extremely hidden. I can not say it was enjoyable!
Claudette Boyer
Photography and nature beautiful, Dashwood estate appears down @heel, not National Trust perfect, which may explain but not excuse John Dashwood’s meanness. All good.
But Marianne’s constantly tangled, loose hair, roaming about @random, screaaming, doesn’t ring true. Austen from similar milieu, her father had been disinherited, made constant efforts to provide for his family and appear appropriately on social occasions. Barton Cottage was reinterpretated as a hovel. Movie more like Wuthering Heights than Austen.
Eva O Cathaoir
Photography and nature beautiful, Dashwood estate appears down @heel, not National Trust perfect, which may explain but not excuse John Dashwood’s meanness. All good.
But Marianne’s constantly tangled, loose hair, roaming about @random, screaaming, doesn’t ring true. Austen from similar milieu, her father had been disinherited, made constant efforts to provide for his family and appear appropriately on social occasions. Barton Cottage was reinterpretated as a hovel. Movie more like Wuthering Heights than Austen.
Eva O Cathaoir
This Sense &Sensibility is beautifully filmed. The main actors are good. However I didn’t like that a lot of Austen’s script and scenes are not used, and the origin of the Lucy Steele-Edward Ferrers engagement is wrong. Most of the dancing is wrong. The hair is all wrong. While I was glad I saw it, it doesn’t hold a candle to the 1995 or 2008 versions.
Barbara Garvey
Probably not see the new version. I would unfairly compare to the Emma Thompson version that made me truly connect with the characters and be immersed in their lives.
Alicia Salgado
Was definatly worth the price of ticket. Loved the real sceanery, Animals superb, actors very good well done, Jane would have been proud i think. However , I fear she would have been deeply distubed by the attention to detail on the coiffure. The wild unkept hair of Marieanne, was in no way in keeping with the book and the period .she was not a peasant who did not own a hair brush, her passionate nature was in no way inhibited but good grooming.
Wendy Thomson
Saw it this evening. Not overly familiar with the story but thought the performances generally good especially the two sister leads. Fiona Shaw was amusing as the aunt and lightened the story somewhat. The male leads were both very shy and awkward but convincingly so given the mores of the time, gentlemen’s honour though the most attractive male lead was the rogue Willoughby. I need to read the story to know how faithfully the directors kept to the story. Generally I enjoyed the film as Jane Austen films generally present as authentic in terms of attention to period detail.
Stephen Hopkins
I really loved Sense & Sensibility, the music was very atmospheric . The cinematography was beautiful and I felt like I was there . The actual adaptation was perfect and I loved the ballroom scenes with the lively joyful dances .
Lorraine Haskins
5 stars!Beautiful cinematography, direction and acting from all involved.Daisy Edgar -Jones is superb, bringing a fiestier Elinor although still managing to keep herself under control until she sees Willoughby. I loved the little changes ( I don’t understand why we compare versions as they are all unique). I did not expect much from it but was moved, excited and totally absorbed from start to finish. I have been an Austen fan since the age of 14 on first reading Pride and Prejudice at school. Great job….thank you.
Teri Rees
If the picture of the sisters outside with their hair blowing about freely is typical of the costuming, I will say thumbs down.
Nancy Mayer
Saw it today. Beautiful photography. Even though various storylines weren’t in the right order and one or two don’t exist in the book, I still enjoyed it as a film in its own right. I loved the Ang Lee version but have to put that feeling to one side.
Karen Appleby
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